Chapter 150 – What's the Problem?

The prelude of Jiang Siming's song was unusually light.

Whether it was "Zou Ma," "A Lonely Paris," or "Luzhou Moon," every song by Jiang Siming had a sorrowful tone from start to finish, with an undertone of heartache.

Listeners would feel melancholic even if they won the lottery that day.

Everyone thought Jiang Siming was only good at writing sad love songs and wanted to crown him the 'Prince of Melancholic Love Songs.'

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